| This article is a stub. |
| This article is shorter than it should be. You can help the Encyclopedia of Cryptozoology by expanding it with relevant information. |
Cover to Volume 1.
Wood Knocks: Journal of Sasquatch Research is an irregular journal published by David Weatherly featuring bigfoot articles by various cryptozoologists. The cover art for each volume is prepared by Sam Shearon.
Volumes[]
- Volume 1 (May 2016): "Giants of the Piney Woods" (Lyle Blackburn), "Kettles, Cows, and Sasquatch; Bigfoot in Southern Wisconsin" (Linda S. Godfrey), "Big Man on the Reservation" (David Weatherly), "Hong Kong as a Focal Point for Bigfoot and Yeren Studies" (Richard Muirhead), "Is Bigfoot a Giant Form of Homo erectus?" (Ken Gerhard), "Orang-Pendek: On the Search for Sumatra's 'Short Man'" (Richard Freeman), "Sasquatch Kidnappings in North American Folklore" (Micah Hanks), "The Sound of Sasquatch" (Nick Redfern)
- Volume 2 (July 2017): "Fake News: How Wallace's Fake Footprints Fused With the Film" (Loren Coleman), "Bigfoot Reports from Central Southern Colorado/Northern New Mexico" (Christopher O'Brien), "In the Footsteps of the Indian Yeti" (Richard Freeman), "Interdimensional Paraphysical Sasquatch" (Rosemary Ellen Guiley), "Legendary Encounters with West Virginia Sasquatch" (Dave Spinks), "The Chestnut Ridge Encounters" (Eric Altman), "Texas Goat Man" (Jeff Stewart), "Silver State Sasquatch" (David Weatherly)
- Volume 3 (May 2018): "Bigfoot in Arizona" (David Weatherly), "The Company They Keep" (Timothy Renner), "The 'Demon' Bigfoot of the U.K." (Nick Redfern), "The Florida Skunk Ape" (Robert Robinson), "An Analysis of Relict Hominoid Sightings in the Desert" (Bruce Champagne), "The High Strangeness of Bigfoot" (Joshua Cutchin), "Oklahoma's Boggy Creek" (Marvin Leeper)
- Volume 4 (February 2020): "Bigfoot in Big Sky Country" (David Weatherly), "Hairy Bipeds Across the U.S." (Shannon LeGro), "Bigfoot and Wildmen in Europe" (Ulrich Magin), "Caddo Creature and The Sabine Thing" (Jeff Stewart), "Where the Wild Things Are" (Sam Shearon)